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荣耀六十年

7.5

类型：科幻地区：德国年份：2018 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：东野绚香,金信英,彼得·哈米尔

上次更新：2024-12-23 14:30:55

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剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

此书我有缘:刚刚

直到毁了他粉丝的童年，他终于“临危受命”，再度以那个帅到晃瞎人眼的姿势，杀回来啦。
晴天票票:9分钟前

劳力来到白翎家，发现林方西，怒从心起，与他理论，林方西有口难辨。
一只凡大:分钟前

虽然盟军消灭了施魔法的人和纳粹分子，但是撒旦之子——地狱男爵(朗·普尔曼饰)已经被黑魔法召唤到了人间。
桃蹊zy:分钟前

后之前，马东锡虽然没怎么演过主演，但却与尹钟彬、金知云、金容华、柳承莞、郭暻泽、金基德等许多韩国大牌导演有过合作。
冰冻蜘蛛:2分钟前

一个是这里最大最刺激的过山车“霸天虎过山车” ，简直是过山车迷们的“坦隐巅峰体验”。
顾九儿:1小时前

奥依戴柯克将这部影片融入了新的风格，将那部充满了悲剧色彩的影片改成了这样一个全新的搞笑大杂烩。
全年级:8小时前

曾有中国作家和画家孙幼军/裘兆明(1990)、金波/杨永青(1992)、秦文君/吴带生(2002)、曹文轩/王晓明(2004)、张之路/陶文杰(2006)获得过该奖项的提名。
生水华:1小时前

李焕英和劲敌争抢的片段，让我乐得合不拢嘴，我开始怀疑这部电影真的那么催泪吗？
十七想要糖糖:4小时前

久而久之，爱与暴力与恐惧就建立了一个常人无法想象的等式，阿一同样认可这个逻辑，所以他对那个妓女说，他将取代那个男人来殴打她——在垣原和阿一那里，他们已经不知道爱的正确方式是什么，甚至叫不出它的名字。
超爱吃土豆:1天前

求一部韩国电影的名字，内容大概是讲韩国大量征兵，弟弟被抓去当壮丁，而哥哥为了救弟弟也被抓去。